Walls, record a city’s “voices”, in the manner of putting up, tearing, painting or covering posts, or in form of images, drawings or texts, record the cycle of constructions and destructions as time unfolds reality. The conditions of those walls on streets, no matter filled with posts, torn papers, erasures or re-paintings, they are all traces of real social interactions. To observe carefully, those marks are always changing. And maybe one day, those marks would be buried and disappeared from our sight.
Perhaps, making art to me has become an act of unforgetting. And yet, ceramics, having its unique materiality, is a perfect media to help inscribe fragments of memory.

牆，記錄著這個城市裡的「話語」；以張貼、撕毀、塗寫、塗抺、圖畫、文字、及各種展現力量的方式，隨著時間記錄著建立和拆毁的循環。街道上牆壁的各種狀態，無論是被貼滿、剷掉、清拆、撕毀、或重新塗油粉飾、都反映著社會中互動的一種真實記錄。細心觀察這些互動過後的痕跡，時常都在變動著，而可能有一天，又會以另一種方式被消失掩蓋掉。

當下，創作，也許就是為了不忘記，以一種自己熟悉的方式，時刻記在心。而對於我來說，陶瓷正好是一種光明磊落的媒介；以陶土物質特有的印記，把記憶的碎片給記下來。