Long
Belly button, what is left when the umbilical cord falls off after a baby is born, is one of a kind. It is a symbol of the separation from the mother’s body, and a mark of individualization.

From a physical or historical point of view, ceramics is not only a documentary material, but also an eternal material after being fired. We can see abundant ceramic memorial items among the historical relics, and even ceramic photos on modern tombstones.

Over the past two years, we have experienced the most difficult moments of our generation. Many of our people have left the world; many people said that something is about to disappear, so I really want to keep a record for the people at this time.

I recorded the belly buttons of all kinds of people through molding. I deliberately preserved that negative space, which of the belly button is like a wave that we can’t normally see, just like life that flows away without knowing it.

The body will change, and the world is still turning every day. No matter how bad the times are and what the future is, life still needs to be lived bravely … and independently.

浪
肚臍，在每個胎兒出生後，臍帶脫落所留下的疤痕，每個人身體上都擁用有一個跟別人不一樣的肚臍。它象徵着脫離母體，成為獨立個體存在於世的一個印記。

從物理上或歷史上陶瓷不但是一種紀錄性物料，燒製後的陶瓷更帶有一種永恆性。從歷史文物之中我們可見大量陶製紀念物品以至近代墓碑上的陶瓷相片。

在這一兩年間，或許我們經歷了我們這一代人最困難的時刻，很多人離開了，很多人說有些東西快要消失，因此我很想為這個時候的人們留個記錄。

透過模製我把各式各樣不同身份人仕的肚臍記錄下來，我刻意保留了那個負空間 ，肚臍的負空間像一個浪，一個平常一般時候我們都看不見的浪，它像生命一樣不經不覺地流走。

身體會改變，世界仍然每天在轉動，不管時代多麼的糟透，未來是如何，生命仍然需要勇敢地...獨立地活下去。

Bat Dau
Some of my works usually start from research. For a while, I wondered if I could make ceramics, a relatively stable material, present in an unstable state. To make ceramic works float in different situations is one of the ways of creation that I like because it reflects my subconscious unknowingly.

不倒
我的部分作品，很多時侯都是從研究開始。有段時間很不明所以地在想，可否令陶瓷這種相對穩定的物料呈現這種出一種不穩定的狀態。如何令陶瓷作品在不同狀況下浮動着。這是其中一種我很喜歡這種創作方式，因為它能在不經不覺下反映了我的潛意識。