In 2007, I held a solo exhibition at the studio of my late teacher, Mr. Jerry Kwan. I still recall that he advised me to start working on artworks with big scale and big topics, in that way my works could get better chance to be exhibited and collected by the M+ which was coming on the way. Although my works has not been collected by M+ till now, I still go on creating works of larger scale whenever the conditions allow; or else, I work on small scale and I dig deeply into the details.

Horizontally, I work across mediums and topics; while vertically, I go straight into the materials and collect my thoughts. In the process of artistic creation, there is perhaps no need to rely too heavily on theory; instead, we should trust our bodily senses and time.

I hope to tell my teacher, Jerry, that in 2015, I created a series of 40 pieces of artwork, which were comprising of photography and painting works, and they are now collected by the San Francisco Museum of Modern Art.

Apart from Mr. Jerry Kwan, I would also like to express my gratitude to all the teachers who had taught me.

記起在2007年，我在已故關晃老師的工作室做了個個展。那時，他說將來有M+了，叮嚀我要做大作品、大題目，才有機會被展出及收藏。雖然至今我没有被M+選中過，但我－直在做作品，一有條件時就做大的，無條件時就在細處鑽深。


橫向地去跨越媒介和涉足題材，和直向地去研習物料和理清思路；我想：創作過程中，不用把藝術太理論化，反而相信把一切交給身體與時間，就可以了。

我也想跟關晃老師說，我在2015年創作的一共40張系列作品，今年給美國三藩市現代美術館收藏了。那是一批由攝影和繪畫組成的作品。
除了關晃老師，我也要感謝教過我的老師們。